{"id":7494,"date":"2022-02-02T11:54:02","date_gmt":"2022-02-02T08:54:02","guid":{"rendered":"https:\/\/kaznai.kz\/?page_id=7494"},"modified":"2022-02-02T12:25:06","modified_gmt":"2022-02-02T09:25:06","slug":"orazkulova","status":"publish","type":"page","link":"https:\/\/kaznai.kz\/en\/orazkulova\/","title":{"rendered":"Orazkulova Kaldigul"},"content":{"rendered":"\n<div class=\"wp-block-media-text alignwide is-stacked-on-mobile\" style=\"grid-template-columns:15% auto\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"428\" height=\"642\" src=\"https:\/\/kaznai.kz\/wp-content\/uploads\/2022\/02\/\u041e\u0440\u0430\u0437\u043a\u0443\u043b\u043e\u0432\u0430.jpg\" alt=\"\" class=\"wp-image-7459 size-full\" srcset=\"https:\/\/kaznai.kz\/wp-content\/uploads\/2022\/02\/\u041e\u0440\u0430\u0437\u043a\u0443\u043b\u043e\u0432\u0430.jpg 428w, https:\/\/kaznai.kz\/wp-content\/uploads\/2022\/02\/\u041e\u0440\u0430\u0437\u043a\u0443\u043b\u043e\u0432\u0430-200x300.jpg 200w\" sizes=\"auto, (max-width: 428px) 100vw, 428px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<p class=\"has-large-font-size wp-block-paragraph\"><strong>Orazkulova Kaldigul \u00a0\u00a0<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Head of the Department of History and Theory of Fine Arts<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">PhD in Philosophy<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">professor of art<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Contact<\/strong>: <a href=\"mailto:kaldikul.71@mail.ru\"><strong>kaldikul.71@mail.ru<\/strong><\/a><\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n<\/div><\/div>\n\n\n\n<ul class=\"wp-block-list\"><li><strong>Academic and practical experience <\/strong>over 25 years<\/li><li><strong>Subjects taught<\/strong>: art criticism, philosophical and aesthetic foundations of great artistic styles<\/li><li><strong>Creative, research and innovation activities<\/strong><\/li><\/ul>\n\n\n\n<p class=\"has-text-align-center has-black-color has-text-color wp-block-paragraph\"><strong>Publications<\/strong><strong>:<\/strong><\/p>\n\n\n\n<p class=\"has-black-color has-text-color wp-block-paragraph\">1.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Madenietteg\u0456 \u04d9mbebaptyly\u049b zhane beineleu \u00f6ner\u0456ndeg\u0456 ethnoarchetypeter \/\/ \u0406zden\u0456s. &#8211; 2009. &#8211; No. 4. \u2013 102-107bb.ISSN-1560-1722<\/p>\n\n\n\n<p class=\"has-black-color has-text-color wp-block-paragraph\">2.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Kazirg\u0456 kazakhstandagy beineleu \u00f6ner\u0456ndeg\u0456 &#8220;alemn\u0456n&#8221; ethnoarchetype kor\u0456n\u0456si \/\/ Eurasian community. &#8211; 2009. -\u21163. -168-175 bb.ISSN 1998-3986<\/p>\n\n\n\n<p class=\"has-black-color has-text-color wp-block-paragraph\">3.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Dast\u04afrl\u0456 \u049b\u04b1ndyly\u049btardy\u04a3 k\u04e9rkemd\u0456k tanymda\u0493y k\u04e9r\u0456n\u0456s\u0456 \/\/ Adam alemi = The human world. 2009.-\u21164. \u2013 51-60 bb..ISSN 1999-5849<\/p>\n\n\n\n<p class=\"has-black-color has-text-color wp-block-paragraph\">4.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Kazirg\u0456 kezendegi Kazakhstandagy beineleu onerindegi &#8220;tulga&#8221; archetypes. Khabarshi. &#8220;K\u00f6rkemonerden b\u0456l\u0456m I take: \u00f6ner &#8211; theory &#8211; adisteme&#8221; series. Halykaralyk gylym conference. &#8211; Almaty: Abay atyndagy KazPU. -2010. &#8211; No. 2ISSN 1998-3986<\/p>\n\n\n\n<p class=\"has-black-color has-text-color wp-block-paragraph\">5.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Dast\u04afrl\u0456 \u049b\u04b1ndyly\u049btardy modernizationlau neg\u0456z\u0456ndeg\u0456 innovatsialy\u049b b\u0456l\u0456m men tarbie. Khabarshi-Vestnik. Korkemonerden b\u0456l\u0456m I take: &#8220;Oner &#8211; theory &#8211; adisteme&#8221; series. Almaty, 2010.<\/p>\n\n\n\n<p class=\"has-black-color has-text-color wp-block-paragraph\">6.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Korkemonerden b\u0456l\u0456m berud\u0456 modernizationlaudy\u04a3 \u0456shk\u0456 zhane syrt\u049by determinattary \/\/ \u0406zden\u0456s=Search. \u2013Almaty. &#8211; No. 3 (1) \/ 2012. &#8211; 127-132 bb. Co-authors: Mikhailova N.A., Sultanova M.E. ISSN 1560-1722.<\/p>\n\n\n\n<p class=\"has-black-color has-text-color wp-block-paragraph\">7.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Gold in the Scythian animal style: symbolism and mythopoetics \/ Bulletin of St. Petersburg State University. Series 15. Art history. &#8211; 2012. &#8211; 14 p.<\/p>\n\n\n\n<p class=\"has-black-color has-text-color wp-block-paragraph\">8.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Zhangandanu kezendegi madeni beregeylikt\u0456 saktaudyn mani. \/\/ Akikat. Almaty, 2012. &#8211; 5 p.<\/p>\n\n\n\n<p class=\"has-black-color has-text-color wp-block-paragraph\">9.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Zererlik \u00f6nerdegi oyu-\u00f6rnekter. \/\/ Khabarshi=Bulletin. B\u0456l\u0456mdeg\u0456 economy zh\u04d9ne service seriasy. No. 3(45)2013 &#8211; 159-162 bb.<\/p>\n\n\n\n<p class=\"has-black-color has-text-color wp-block-paragraph\">10.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Sak-skifterd\u0456n tarihy men madenietin\u0456n erekshelikteri. \/\/ Khabarshi=Bulletin. B\u0456l\u0456mdeg\u0456 economy zh\u04d9ne service seriasy. No. 3(45)2013 &#8211; 162 &#8211; 165 bb.<\/p>\n\n\n\n<p class=\"has-black-color has-text-color wp-block-paragraph\">11.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Zhahandanu zamanda korkem onerden b\u0456l\u0456m berud\u0456 innovatsiyalau men modernizationlau. RNPK &#8220;Information space of Kazakhstan: today and the future&#8221;, KazNAI named after. T. Zhurgenova, 2013. P. 47-50<\/p>\n\n\n\n<p class=\"has-black-color has-text-color wp-block-paragraph\">12.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Sounds and colors of Kazakh traditional folklore in the painting of the &#8220;sixties&#8221;. Halykaralyk saz aspaptary zhane turk\u0456 halyktarynyn aspaptyk musicians: \u04e8tken\u0456, b\u04afg\u0456n\u0456 zhane bolashagy &#8220;khaly\u049baraly\u049b symposium materialdary&#8221;. Almaty. September 25-26, 2013,<\/p>\n\n\n\n<p class=\"has-black-color has-text-color wp-block-paragraph\">13.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Kazakh oyu-\u00f6rneg\u0456ndegi yrgak pen symmetry \/\/ KAZAKH IN THE EURASIAN SPACE: HISTORY, CULTURE AND SOCIO-CULTURAL PROCESSES: Proceedings of the International scientific and practical conference dedicated to the 25th anniversary of the Regional Public Ornagization Siberian Center of Kazakh Culture &#8220;Moldir, 13-15&#8221; (Om15 May 2014) \/ ed. Sh.K. Akhmetova, I.V. Tolpenko &#8211; Omsk: Amphora, 2014 &#8211; 326 p. &#8211; 96-100 bb. ISSN 948-5-906706-09-6 http:\/\/yadi.sk\/d\/YdJstAbcQUPok<\/p>\n\n\n\n<p class=\"has-black-color has-text-color wp-block-paragraph\">14.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; B\u04afg\u0456ng\u0456 kazak kesk\u0456ndeme \u00f6ner\u0456ndegi ken\u0456st\u0456k. \/\/ Zhuldyz, \u21166, 2014<\/p>\n\n\n\n<p class=\"has-black-color has-text-color wp-block-paragraph\">15.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Onerindegi symmetry of men yrgak. Kazirg\u0456 zaman: p\u0456kirler alemi. Philosophy Almanac. Almaty, \u21161 (57) 2014<\/p>\n\n\n\n<p class=\"has-black-color has-text-color wp-block-paragraph\">16.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Kazakh keskindemesindegi postmodernism \/\/ Kasteev o\u049bulary: gylymi-practical conference material gifts. &#8211; Almaty, 2016. &#8211; 250b. &#8211; 211-220 bb. ISSN 978-601-7090-19-7<\/p>\n\n\n\n<p class=\"has-black-color has-text-color wp-block-paragraph\">17.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Korkem image ben archetype belg\u0456leri \/\/ &#8220;XX-XXI \u0493asyrdy\u04a3 basynda\u0493y \u04a9ertanudy\u04a3 m\u04d9seleler\u0456&#8221;: Haly\u049baraly\u049b \u0493ylymi-praktikaly\u049b conference materialdary. &#8211; Almaty, 2016. &#8211; 462 b. &#8211; 29-38 bb. ISSN 978-601-7283-27-8<\/p>\n\n\n\n<p class=\"has-black-color has-text-color wp-block-paragraph\">18.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Dast\u04afrli k\u04b1ndyly\u049btardy\u04a3 k\u04e9rkemonerde k\u04e9r\u0456n\u0456s\u0456 \/\/ Proceedings of the International Scientific and Practical Conference dedicated to the 25th anniversary of the Independence of the Republic of Kazakhstan. &#8211; Almaty, 2016 &#8211; 19-21 bb.<\/p>\n\n\n\n<p class=\"has-black-color has-text-color wp-block-paragraph\">19.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Escapism is not an escapist dignity. \/\/ \u049aAZAKSTANY\u04a2 GYLYMY MEN \u04e8\u041c\u0406\u0420\u0406. Halykaralyk gylymi-kopshilik journal \u2116 2 (44) 2017 jyl<\/p>\n\n\n\n<p class=\"has-black-color has-text-color wp-block-paragraph\">20.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Postmodernism d\u04d9u\u0456r\u0456ndeg\u0456 \u04e9nerd\u0456n \u04e9zar \u0430rkettesu maseleleri. Synthesis of arts in the artistic culture of Kazakhstan in the XX-XXI centuries. &#8211; Almaty: OR MES RK, 2017. &#8211; 328 p. S. &#8211; 279-300.<\/p>\n\n\n\n<p class=\"has-black-color has-text-color wp-block-paragraph\">21.\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Tus koru, qiyal, escapism, korkem shygarmashylyk. International scientific-practical conference &#8211; &#8220;Philosophical and socio-humanitarian problems of the existence of religion in modern society&#8221;, dedicated to the memory of Academician ASN, MAS Higher School, Doctor of Philological Sciences, Professor Shulembaev K.Sh. March 28, 2017<\/p>\n\n\n\n<p class=\"has-text-align-center has-black-color has-text-color wp-block-paragraph\"><strong>Monographs, textbooks<\/strong><\/p>\n\n\n\n<p class=\"has-black-color has-text-color wp-block-paragraph\">1.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Kazakh suretsh\u0456ler\u0456 shy\u0493armashyly\u0493ynda\u0493y archetype image of ben \u04b1zhymdy\u049b beisan: madeni-philosophiyaly\u049b taldau. Monograph &#8211; Almaty: &#8220;Karatau KB&#8221; ZhSS, &#8220;Dastur&#8221;, 2014. &#8211; 384 b. \u201cKR Madeniet ministerligi \u201cAdebiet \u04d9leumettik manyzdy turlerin basyp shygaru\u201d bagdarlamasy boyinsha zharyk k\u04e9rdi\u201d.<\/p>\n\n\n\n<p class=\"has-black-color has-text-color wp-block-paragraph\">2.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Kazakhsha-oryssha\/oryssha-kazaksha terminologylyk sozdik. Madeniet zhane oner. \u049aR MSM t\u0456lded\u0456 damytu zhane \u049bo\u0493amdy\u049b-sayasi zh\u04b1mys komitetin\u0456n\u0456\u04a3 tapsyrysy boyinsha \u00ab\u049a\u0420 t\u0456lderdi damytu men \u049boldaudy\u04a3 2011-2020 zhyldar\u0493\u0430 arnal\u0493an memlekettik bagdarlamasy\u00bb ayasynda shygaryldy. &#8220;KAZAKPARAT&#8221; baspa corporations. Almaty 2014<\/p>\n\n\n\n<p class=\"has-black-color has-text-color wp-block-paragraph\">3.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Postmodernism d\u04d9u\u0456r\u0456ndegi \u04e9nerd\u0456n \u04e9zar arkettesu maseleleri. Synthesis of arts in the artistic culture of Kazakhstan in the XX-XXI centuries. &#8211; Almaty: OR MES RK, 2017. &#8211; 328 p. S. &#8211; 279-300. Uzhymdyk monograph.<\/p>\n\n\n\n<p class=\"has-black-color has-text-color wp-block-paragraph\">4.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Korkem sana tusiniginin kalyptasuy arkyly ruhani bolmysty ashu. Hungary. Birlesken monograph. \u2013 2017.<\/p>\n\n\n\n<p class=\"has-black-color has-text-color wp-block-paragraph\">5.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Ernst Gombrich. Oner tarihy. \u201cZhana humanitarian bilim. Kazakh tilindegi 100 zhanga okulyk&#8221; zhobasy Kazakhstan Respublikasynyn T\u04b1\u04a3\u0493ysh President &#8211; Elbasy Nursultan Nazarbayev bastamasymen &#8220;Rukhani zhangyru&#8221; memlekettik bagdarlamasy ayasynda iske asyryldy. Almaty: Ulttyk audarma bureaus. \u2013 2019 680 bet. Umarbekov B.E., Orazqulova K.S., Nurazkhan E.N.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Contact<\/strong>: <a href=\"mailto:kaldikul.71@mail.ru\"><strong>kaldikul.71@mail.ru<\/strong><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Academic and practical experience over 25 years Subjects taught: art criticism, philosophical and aesthetic foundations of great artistic styles Creative, research and innovation activities Publications: 1.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Madenietteg\u0456 \u04d9mbebaptyly\u049b zhane beineleu \u00f6ner\u0456ndeg\u0456 ethnoarchetypeter \/\/ \u0406zden\u0456s. &#8211; 2009. &#8211; No. 4. \u2013 102-107bb.ISSN-1560-1722 2.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Kazirg\u0456 kazakhstandagy beineleu \u00f6ner\u0456ndeg\u0456 &#8220;alemn\u0456n&#8221; ethnoarchetype kor\u0456n\u0456si \/\/ Eurasian community. &#8211; 2009. -\u21163. [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-7494","page","type-page","status-publish","hentry"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"en","enabled_languages":["kz","ru","en"],"languages":{"kz":{"title":true,"content":true,"excerpt":false},"ru":{"title":true,"content":true,"excerpt":false},"en":{"title":true,"content":true,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/kaznai.kz\/en\/wp-json\/wp\/v2\/pages\/7494","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/kaznai.kz\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/kaznai.kz\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/kaznai.kz\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/kaznai.kz\/en\/wp-json\/wp\/v2\/comments?post=7494"}],"version-history":[{"count":10,"href":"https:\/\/kaznai.kz\/en\/wp-json\/wp\/v2\/pages\/7494\/revisions"}],"predecessor-version":[{"id":7515,"href":"https:\/\/kaznai.kz\/en\/wp-json\/wp\/v2\/pages\/7494\/revisions\/7515"}],"wp:attachment":[{"href":"https:\/\/kaznai.kz\/en\/wp-json\/wp\/v2\/media?parent=7494"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}